Probably, when the name Alexander

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Calder is mentioned , his spectacular mobile sculptures come to mind. However, what everyone may not know is that the American artist, born in Pennsylvania in July 1898, also made several jewels of interesting proportions and avant-garde aesthetics. Calder studied mechanical engineering, but began to become famous in his country of origin and in Paris (a city where he would live for many years) thanks to his wire and wood sculptures. Grandson and son of sculptors, and also son of a painter mother, he is considered the inventor of the mobile (a hanging mobile toy, let's not confuse it with telephones), a precursor of kinetic sculpture. But he also created more than 2,000 pieces of jewelry throughout his career, perhaps less famous than his sculptures but no less impressive.



Most were gifts for his friends or family, made of brass or steel, and ignoring the use of a soldering iron; The unions between the different parts were Cell Phone Number List  made using knots or ties. Among the materials used we also find glass, ceramics or wood. Some of the recipients of these gifts were Joan Miró, with whom he had an excellent relationship; Jeanne also made other commissioned eggs, such as the one requested by Nobel. Some catalogs have survived to this day, such as the Flowers catalogue, thanks to which his great-granddaughter Tatiana Fabergé was able to provethe authenticity of a fabulous botanical study . Today, the House of Fabergé still exists and produces jewelry, watches and objets d'art.







You may also like: Several Fabergé pieces, up for auction In this month of April we will talk about a jeweler who was born this month (although in 1860) and that you all probably know: René Lalique , undoubtedly a standard bearer of French jewelry during the Art Nouveau era. The expression Art Nouveau derives from the store that Siegfried Bing opened in Paris in 1895, called “La Maison de L'Art Nouveau” . It affected practically all branches of the arts and applied arts: great painters such as Bonnard and Vuillard decorated furniture, Toulouse Lautrec and Alphonse produced posters, illustrators such as Aubrey Beardsley stood out, the glass objects of Emile Gallé, the architecture of Hector .. The creations that were carried out under his influence had several points in common: freely flowing lines , a total rejection of the rigidity and heaviness of the previous half of the century and previous styles.